Quentin Tarantino - Page 6

Before Peter Jackson reached Steven Spielberg levels of Hollywood mainstream acceptance, he was a chubby, hairy kid in New Zealand who loved making movies with tons of laughs provided by oceans of blood and gore. Jackson’s first feature, Bad Taste,

Ed. Note: Please welcome Matthew to the BH family and encourage him to return. — JN I’ve followed Kevin Smith’s career since I was old enough to sneak into Dogma, and I fell out of love with him at about

Cedar Rapids is an example of a cancer in American movies, a horrible disease that has befallen independent movies. Every year a movie pops out from Sundance that seems to be the little indie movie that could. This would be

This June 13–19, the best golfers in the world will walk the lush green fairways of Bethesda, Maryland’s Congressional Country Club during the 111th U.S. Open. These great athletes are heroes to many, but they aren’t the biggest heroes to

I don’t get why people hated The Green Hornet so much. Granted, I’m no long-time fan of the character, my knowledge of The Green Hornet begins and ends with the fact that the mighty Bruce Lee played Kato in an

Uma Thurman has been gracing the world’s movie screens with her ethereal beauty and unique presence for more than 20 years, ever since her breakthrough role in 1988’s “Dangerous Liaisons” opposite John Malkovich and Michelle Pfeiffer. Since then, she’s helped

I’m realizing how odd it is to complain about the Oscars or to pigeonhole the Academy’s tastes. They can get it astoundingly right (i.e., I can agree wholeheartedly) and wildly wrong (i.e., I disagree) all in the same year in

[CONTENT WARNING: This post contains harsh language.] On Wednesday night, Quentin Tarantino was roasted at the New York Friars’ Club. Some of Hollywood’s most famous and talented stars were on hand, many of who did the actual roasting. Among them

#19: Henry: Portrait of a Serial Killer (1986) If this list ranked films based only on the principle of pure horror, John McNaughton’s brilliantly directed, scripted (with co-writer Richard Fire), and acted look at a chapter in the life of

Director Robert Rodriguez’s spoof trailer for “Machete” was easily the best part of his and Quentin Tarantino’s failed attempt to return to those glorious days of early ’70s exploitation flicks with 2007’s “Grindhouse.” And it made sense that the fan

The new film Machete is born of a joke. No, really. In 2006 when Quentin Tarantino was gearing up for his double feature movie experience Grindhouse, he solicited other directors like Eli Roth and Rob Zombie to make fake trailers

A 1995 Los Angeles Times Magazine cover proclaimed him “The Coolest Actor in the World,” and yet most Americans to this day have never heard of him. For fans of Hong Kong films, though, he is Asia’s answer to Steve

When, and why, did American television and cinema viewers first fall in love with the Sociopath protagonist? Perhaps the audience was always there, nascent and ready to be born. My current favorite Sociopath television show is AMC’s Breaking Bad, the

[Ed. Note: Please welcome Vic, Owner/Editor of Screen Rant — an addiction of mine since coming across it — to Big Hollywood. Don’t forget to bookmark his site and encourage him to return.] One of the best things about the

I know I was supposed to write about Hoop Dreams, but it’s been years since I have seen it and I wanted to give it a fair shot. Instead, please find my thoughts below on Clerks, a movie I should

I’ve been pondering the concept of evil as depicted in film as of late, as the topic has come to mind while viewing several films: Elephant, United 93, 9/11 (the documentary), Schindler’s List, Life is Beautiful, Jonestown: Life & Death

It’s that time of the year again — Oscar time! (Cue “Hooray It’s Hollywood!” music.) I know it’s supposed to be uncool to care, but I grew up watching the Oscars with my mom every year, and just can’t kick

The real fun of the Oscars isn’t the cut-throat competition for the little gold naked man but guessing who will make the biggest idiot of himself. The Academy Awards show has a fine tradition of pampered celebrities popping off with

The Associated Press: The science-fiction sensation “Avatar” and the war-on-terror thriller “The Hurt Locker” lead the Academy Awards with nine nominations each, including best picture and director for former spouses James Cameron and Kathryn Bigelow. For the first time since

Last week, I stirred some folks up with my Top Ten Most Overrated Directors of All Time. To recap, they were: Ridley Scott, Michael Mann, David Lean, Darren Aronofsky, Mike Nichols, David Lynch, Quentin Tarantino, Woody Allen, Martin Scorsese, and

Ever since the advent of the modern motion picture industry, critics have praised directors as the key to great film. The auteur theory of cinema is idiotic, since writing is truly the key – no director could make a masterpiece

Last week under mounting pressure from protesters, the Iranian Government promised a new and deadly crackdown. “From now on, we will show no mercy” to protesters or their families, the government’s chief prosecutor, Gholam-Hossein Mohseni-Ejei, said Tuesday. It is par

BEST PICTURE – DRAMA Avatar The Hurt Locker Inglorious Basterds Precious Up In the Air BEST PICTURE – COMEDY OR MUSICAL (500) Days of Summer The Hangover It’s Complicated Julie & Julia Nine BEST DIRECTOR – MOTION PICTURE Kathryn Bigelow

Editor’s Note: After the publication of this piece we made an internal discovery that this interview was not a one-on-one interview between our writer and Quentin Tarantino, and that some of the questions attributed to “Big Hollywood” were asked by

Yesterday, our own Chris Yogerst weighed in on Greg Gutfeld’s criticism of Hollywood — specifically Greg’s criticism of “G.I. Joe,” Stallone’s new Rambo film and “Inglourious Basterds” — for choosing politically correct villains over the real ones we face today.

Quentin Tarantino’s “Inglourious Basterds” has all the trappings of a Tarantino film – from the rich cinematography and soundtrack to the unpredictable action and character development. Tarantino has directed and written another effort that, as usual, is in a class

So another Rambo flick is on its grimy, sweaty way and this time the villains are human traffickers and drug lords. To make them even more despicable, they’ve kidnapped a young girl and are probably ignoring her strict vegan needs.

Remember the children’s magazine, Highlights? Its motto is “fun with a purpose.” The motto for Quentin Tarantino’s latest flick, “Inglourious Basterds,” should be “violent with a purpose.” It’s 1944 in Nazi-occupied France. Joseph Goebbels’ (Sylvester Groth) latest film triumph starring

Take a ruthless Nazi leader who can order the deaths of a Jewish family with the same dispassion with which he requests a glass of milk. Mix his story with that of a Jewish woman who flees the slaughter of

Only a tiresome poseur like Quentin Tarantino could think that the Hollywood pretty boys he cast in his soon-to-be released opus The Inglorious Basterds are convincing movie tough guys. Where is Lee Marvin when we need him? You’ve probably experienced

Prolific actor David Carradine, best known for the Kung Fu TV series, the Quentin Tarantino film Kill Bill, and a series of ads for telephone directories, has been found dead in the closet of his hotel room in Thailand, where

Cannes fan Quentin Tarantino is going for a repeat win at the festival with the hotly awaited, strangely spelled “Inglourious Basterds”, starring Brad Pitt and Diane Kruger.

Who will wreak greater havok on the enemies of America, Sylvester Stallone or Quentin Tarantino? Each has written and is directing an action-laden ensemble piece about a group of misfits battling a foreign dictator. In Stallone’s case, he has an

DailyMail: Inglourious Basterds sees Pitt play Lt Aldo Raine, commander of a unit whose mission is to kill and dismember Germans during the Second World War. The film – inspired by 1978 Italian war movie The Inglorious Bastards – follows

During the 1963 Moscow International Film Festival, few doubted Federico Fellini’s “8 ” was a masterpiece. The film was not merely contending for the Grand Prize; it was clear that no conventional prize could put a tag on the sheer