Nolte: Debunking the ‘Atlanta Journal-Constitution’ Attack on Eastwood’s ‘Richard Jewell’
Who wants to tell the Atlanta Journal-Constitution that we do not expect movies to be accurate, but we do expect newspapers to be accurate?
Who wants to tell the Atlanta Journal-Constitution that we do not expect movies to be accurate, but we do expect newspapers to be accurate?
With a $790 million worldwide gross, Joker is now the biggest R-rated movie ever produced.
This moron at CNN who declared Joker “an insidious validation of the white-male resentment that helped bring President Donald Trump to power” might win the award for the most shallow hot take ever.
Joker warns us of what happens when a society is stupid enough to allow the government to control health care, warns us that what the government giveth, the government can also taketh away.
Left-wing comedian and actress Sarah Silverman revealed last week that producers fired her from a movie she was set to co-star in after discovering a photo of her in blackface, which stemmed from a comedy sketch in 2007.
Eastwood is the perfect choice to helm this. He’ll tell the truth and likely understands that this fake news tragedy is even more relevant today than it was 23-years-ago.
Paul Greengrass, the left-leaning director behind the Jason Bourne series, has a heartwarming message for you: if you’re worried about mass immigration then you’re just a step away from being Anders Breivik.
“When you think of Neil Armstrong and when you think of the landing on the moon, you think about the American flag,” Trump said.
Johnny Depp’s latest movie, City of Lies, has been pulled just one month prior to its scheduled September 7 release date.
A Massachusetts high school canceled a screening of the movie Cool Runnings after receiving complaints from the school community that the movie is “racially insensitive.”
Countdown: The 165 Greatest American Movies Ever Made (1-15)
The countdown of the greatest American movies ever made continues… Dog Day Afternoon (1975) Sal, Wyoming’s not a country. Director Sidney Lumet takes the true story of one of the most inept bank robberies in history and makes it better,
Countdown: The 165 Greatest American Movies Ever Made (41-65)
Countdown: The 165 Greatest American Movies Ever Made (66-90)
Countdown: The 165 Greatest American Movies Ever Made (91-115)
The countdown of the greatest American movies ever made continues… The Professionals (1966) Nothing’s harmless in this desert unless it’s dead. An aging oil tycoon (Ralph Bellamy) goads desperate mercenaries — Lee Marvin, Burt Lancaster, Robert Ryan, and Woody Strode
Countdown: The 165 Greatest American Movies Ever Made (165-141)
TEL AVIV – In what is fast becoming policy, Lebanon once again banned Gal Gadot from theaters, this time for reprising her role as Wonder Woman in the new movie, Justice League. The movie was barred by Lebanon’s Office of the
TEL AVIV – The decision by a movie theater in the Palestinian Authority not to screen the blockbuster “Wonder Woman” movie due to the casting of Israel actress Gal Gadot suggests “weakness and fear,” a senior IDF official said on Sunday.
TEL AVIV – Jordan has banned a screening of “Wonder Woman” because its Israeli lead actress, Gal Gadot, served in the IDF, and has instructed theaters nationwide not to screen the movie until an official government decision has been made.
Movie theaters around the country are screening a glamorous new movie about a struggling-yet-handsome Indian H-1B contract-worker in the United States — but viewers aren’t told that the movie was funded by lobbyists to help import more foreign workers for the moviegoers’ own white-collar jobs.
Rick DeLano, producer and writer of the documentary film “The Principle,” talked about his film with SiriusXM host Stephen K. Bannon on Wednesday’s edition of Breitbart News Daily.
On the eve of the release of Universal’s “Steve Jobs,” star Seth Rogen fired off a hate-tweet at black Republican presidential candidate Ben Carson. “Fuck you @realBenCarson,” the tweet said. In another tweet, Rogen, a high-profile Hillary Clinton supporter (and Canadian citizen), expressed his anger over comments Carson made about gun control and Nazi Germany.
Make no mistake; the new thriller in theaters called Sicario is no documentary-style production of the drug war in Mexico. It’s a movie like any other, with its exaggerations and stylistic decisions. But what makes Sicario one of the better representations of the reality that is cartel violence on both sides of the border is that it’s accurate enough to be believable—even to those well-versed in the tiniest details of this endless war.
The latest extended trailer for Pixar’s The Good Dinosaur was released Tuesday, and you’ll likely need a box of tissues nearby to get through it.
As Breitbart Texas recently reported, Enrique Serrano Escobar, the mayor of Ciudad Juárez, Mexico (just south of El Paso, Texas) stated he aims to sue the makers of the fiction film “Sicario” in a U.S. court for “moral damages” to the city. Escobar said the movie depicts violent incidents that don’t currently reflect the city, telling Mexico’s El Norte newspaper, “It hurts the image of Juarenses.” However, Escobar seems to have forgotten that Cuidad Juárez is still host to two major drug cartels and over 400 street gangs.
The second trailer for Alejandro G. Inarritu’s The Revenant arrived online this week, giving fans an extended look at Leonardo DiCaprio as 19th century frontiersman Hugh Glass.
Netflix has altered a film description for the 1995 Disney hit Pocahontas after the company was accused of perpetuating negative stereotypes about women and Native Americans.
Showing an Iranian-made movie on the life of Islam’s Muhammad is a sacrilegious endeavor, Saudi Arabia’s Grand Mufti, Shaikh Abdul Aziz Al Shaikh, said this week.
The world of Azeroth, as depicted in Blizzard Entertainment’s popular World of Warcraft franchise, is being made into a movie, Warcraft, which will debut in June of 2016. Industrial Light & Magic (ILM), the company responsible for the special effects, has released a video giving viewers a 360-degree view of Azeroth while flying on a griffin.
Zack Arnold currently edits the hit television show “Empire,” was an editor for years on “Burn Notice,” and is also my brother. He has had an amazingly successful career in his chosen field, is just getting started, and pours his
In the wake of yet another flop and hundreds of layoffs, DreamWorks Animation CEO Jeffrey Katzenberg announced a dramatic restructuring and refocus of his teetering company (and legacy). Seeking to reassure Wall Street, Katzenberg said DWA will reduce its annual
Oscar-winning director Barry Levinson opens a Variety op-ed about “Selma’s” Oscar snub by defaming America: “Are we a racist country? Yes,” Levinson writes. He does throw America a bone by saying we are getting better, yet offers no proof to
Full Disclosure: I walked out after an hour. It was 11:30 at night, my alarm is set for 6 in the morning, and I had had enough. The premise is dumb, the movie dumber. Non-stop frantic comic montages set to
Director Ava DuVarney’s third feature film is impressive on many levels. Yet, given its potent subject matter, other than a few scenes, “Selma” is emotionally flat and uninspiring. This is especially surprising in the wake of the George Zimmerman and
About twenty-minutes into director Olivier Megaton’s “Taken 3” I had a truly terrifying experience: a “Quantum of Solace” flashback. A poorly scripted action movie can sometimes be redeemed by the action scenes. Until the dreadful “Quantum,” this had always been
After director Darren Aronosfsky’s “Noah” opened in March to a massive $44 million weekend — despite the fact it depicts God as a anti-human enviro-terrorist — anti-God Hollywood probably figured they had cracked the code: sell the movie to the
The stakes are pretty high for “Selma,” a historical biopic about the landmark 1965 civil rights march that focuses on the relationship between civil rights leader Martin Luther King and President Lyndon Johnson. Even before it hit screens, the critically-acclaimed
Writer/director Richard Linklater certainly deserves credit for pulling off an audacious experiment. Filmed over 12 years using the same actors (child and adult), “Boyhood” is a coming-of-age drama unlike anything we’ve seen before. Respect all around. Hats off. The movie