Oliver Stone’s World Trade Center was wildly disappointing. This film could have been the defining film of our times, but it ended up being nothing more than a generic disaster film. It’s a missed opportunity, which I think was brought about because Oliver Stone lost his nerve. But can there even be a defining 9/11 film in this day and age?
I’ve experienced several historical events, but nothing quite like 9/11. I lived in D.C. when 9/11 happened and I used to drive right past the spot where the American Airlines jet crashed into the Pentagon. That particular day I passed by twenty minutes before it happened. I still remember the morning DJ joking about “some idiot who slammed a Cessna into the World Trade Center” (“how can you not see the World Trade Center?”), and I remember the horror in his voice when he learned it wasn’t a Cessna. Then there was actual panic and confusion and people talked about the Capitol being destroyed and the White House. It took me six hours to get home, fifteen minutes away, as they closed the bridges and soldiers set up road blocks.
I also remember the shock and disbelief that this was happening in our country. And I remember feeling sick upon seeing people jump to their deaths in New York. All of this is vividly etched in my brain as it is for so many of us.
When I heard that Oliver Stone would do a film about 9/11, I had high expectations. Stone is a leftist nut, but he had undeniable talent at one point. Platoon was brilliant, as was Wall Street. Platoon was so good it literally broke the Vietnam spell in our country and ended the tension between the public and the soldiers who fought in Vietnam. Wall Street (ironically) inspired an entire generation of kids to become Gordon Gekkos. Heck, even The Doors was great and turned me into a fan of the group. So I expected something pretty incredible from World Trade Center, even if it was likely to be liberal.
In fact, I expected something that would mirror the shock, the disbelief, the panic, and the horror that people felt. I expected something that highlighted the selfless bravery we saw on our televisions that day. I expected something that caught both the grand scale of what this meant to the country and also something that captured the personal effect this had on so many people and so many families.
Instead, I got a remake of The Towering Inferno.
It’s not that World Trade Center is a bad film as far as disaster films go, but it completely lacks context and it has nothing like the impact it should have had. It is a small film. It follows a small group of first responders, a brave group of Port Authority police officers, who arrive at the WTC after everything has already begun and it never moves beyond them. There is no doubt their story is heroic and deserving of being told, but this came nowhere near capturing the emotion of the moment. There’s never any sense of how shocking these events were, or how far ranging. There’s little attention given to the three thousand other people who were killed that day or the tens of thousands more who came close. Nor are the characters given much chance to become personal to us before they are thrown into the action. This is like doing a film about Pearl Harbor by focusing on a small group of firefighters aboard one of the battleships and starting the film after the battleship has already been hit without even explaining that the attack was a sneak attack and the country was at peace moments before.
For a guy with the talent of Oliver Stone, this was a total failure. For a film about an event that remains so raw in so many people’s minds, this was a total failure. For a film about a great national tragedy and outrage, this was a failure.
Obviously, I can’t read Stone’s mind, but I think he was afraid of this topic. Stone has tremendous talent, but he’s also got a horrible reputation. I think he feared that anything he did beyond the very narrow confines of this small story would result in a backlash by one side or the other, and he apparently wasn’t prepared to experience that backlash. But in succumbing to this fear, Stone blew his chance to do something truly inspired and that is the real shame here.
To this day, I think 9/11 still waits for THE film that will give Americans closure because something this horrible calls out for our culture to digest it and explain it to us in a form we can contemplate. But that film will take a lot more courage than Hollywood has shown in quite some time, because such a film will require showing real people and real suffering, and that will anger people and hurt feelings.
And admittedly, it might not even be possible for a film to compete with reality, now that reality comes with its own video images. Could a film really show the raw horror of people jumping to their deaths? I don’t honestly know. Seeing actors pretending to die certainly doesn’t have the same impact as seeing the real thing caught on tape. But Hollywood has some advantages. It knows what images have endured in the public consciousness and it can manipulate the story to be more coherent. And it can bring us closer to people we never actually met, but whose fates we know. I guess we won’t really know if this can be done until someone gives it a genuine try. But Vietnam was the first televised war and there are miles of footage about every aspect of it, yet we remain so fascinated with it that we still watch the movies about it.
I think 9/11 needs a definitive film. And if liberal icons like Stone can’t or won’t do it, maybe some young conservative screenwriters or directors should give it a try?
Thoughts?
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