Why Were the Emmys Not 'Racist'?

I am no fan of awards shows. To me, it is one of the strongest proofs of the weakness of our society that the endeavor to which we give the most prominent and glamorous honors is that of movie and television “acting” (or, to paraphrase Jerry Seinfeld, “Saying what someone else told you to say”).

I also abhor false or frivolous claims of racism. Of course, according to the media, the end of this scourge was supposed to be of the many dividends of making Barack Obama President, but those of us on the right certainly know this has so far turned out to be one of many lies we were told during the 2008 campaign.

Why mention two concepts with apparently nothing in common except my antipathy for them? The reason is that as I found myself watching the Emmy broadcast (I wasn’t that into the football game and Entourage hadn’t started yet) when it suddenly occurred to me that, based on liberal Hollywood’s definition of racism, I was witnessing an event that was barely one notch above a meeting of the Ku Klux Klan.

This offensive truth first hit me when they showed the crowd via a wide shot from the Los Angeles stage. I hit pause on my DVR and a comprehensive scan of the audience revealed that it resembled a film newsreel from the early 60’s (appropriate, I guess, since Mad Men won best drama) with row after row of skin pigmentation-challenged faces. I literally haven’t seen such a Caucasian dominant crowd in LA since I attended the USC/Texas Rose Bowl a couple of years ago.

But it wasn’t just those in attendance who were lacking this century’s greatest virtue: diversity. The host was white. All of the presenters I saw were white. Those who were nominated were almost all white. And Caucasians completely dominated the winner’s circle. Heck, even the guy who used to play the “White Shadow” won one.

But the overt “racism” didn’t stop there. Tracy Morgan, arguably the most prominent black nominee, plays a character on 30 Rock that is easily among the most dangerously stereotyped black roles in modern television (I guess since the show’s two real stars, Tina Fey and Alec Baldwin, are hardcore liberals, this is not relevant). If that wasn’t enough, the black person who got by far the most attention during the telecast was Kayne West, and that was because he was being made fun of all night.

And yet despite the Nokia Theater being transformed into the liberal caricature of the Republican Convention (except with Tina Fey being honored instead of Sarah Palin), absolutely NOTHING has been said about this obvious and, based on what we have constantly been taught, horrifying development. I have Googled all sorts of combinations of the words “racism, black, white, and EMMY awards” and not even one mention of Al Sharpton or Jessie Jackson comes up.

At first glance this all may seem to be cause for celebration. Perhaps we really have turned a racial corner in this country and inequality of outcome is no longer seen as automatic proof of inequality of opportunity. Maybe it is even now okay for whites like me to beam in pride at my race’s ability to finally kick ass again in something “important” now that we have ceded even golf to the Cablinasians.

But I actually think there is something very seriously wrong going on here. What was showcased last night was less Hollywood’s “good old boy” network at work, and more the ramifications of over a decade now of massive fragmentation within the television media.

In the Golden Age of television (the 70’s and 80’s) there were only four or five channels and the networks were forced to broadcast. Now there are hundreds of channels and television has become all about narrowcasting to an economically preferred demographic (which, for the major networks, is apparently mostly made up of white people). So instead of Good Times, Sanford and Son, or The Jeffersons airing on major networks with big budgets and automatic mainstream audiences, the fragmentation has created a self-segregation phenomenon that is only surpassed by the dramatic racial disparity in religious worship. There is still plenty of “black” television programming; it is now just on channels that mostly only other black people watch.

To me this is a sad and dangerous development. Television used to be the ultimate uniter and now has become the definitive divider of our culture. The major networks used to create a de facto “team photo” of our nation which (after a slow start) eventually included everyone in the picture. Now, each race, gender, and age group has their own “team” and tends to watch programming that is built to only appeal to them. In short, we end up living in very different realities with almost nothing in common (this same ominous trend can of course be seen in news coverage with the advent of cable news networks with obvious political leanings).

While this modern reality has its advantages (HBO’s non-Bill Maher original programming and The Golf Channel immediately come to mind), there seems to be little doubt that it is a net loss to the strength of the fabric of our country. What is most surprising however is that no one seems to be noticing it, even when the evidence is as black and white as it was Emmy night.

[ed. note: In a scheduling reshuffle this piece accidentally published for a few minutes last week.]